I employ a player-first approach that crafts worlds with natural rhythm - spaces that breathe between tension and release, punctuated by meaningful surprises and clear gameplay incentives. My background as a writer informs how I stage memorable moments, transforming functional layouts into compelling environmental narratives and fair and intuitive spatial dynamics. Below are three examples of my work covering three different kinds of games.

My core guiding principle is that every inch of a level should exist for two purposes:
 

• One micro, self-evident reason for being there

• And one macro, how it serves the greater context

I prioritise subconscious learning and intuitive wayfinding through subtle visual language, balanced with organic opportunities for player expression. Rooted in cognitive psychology, my designs suspect players in a state of flow and create the illusion of unscripted freedom while maintaining deliberate pacing.

My strength lies in maximalism through minimalism. I pride myself on my ability to pack style into a husk and depth into a puddle, crafting richness from simplicity and transforming clunky spaces into fluid gameplay canvases.

This player-centric approach ensures every moment feels earned yet unexpected. Whether crafting tight multiplayer maps or expansive story worlds, I build levels that resonate beyond their runtime - where players recall not just what they did, but how it made them feel.